For a long time I have wanted to share the power of the HWL project – the experience from researching local climate change, the experience of being out on the street and having real conversations with your own neighbors. I wanted it to be available around the world. Now I am working with Patricia Watts from ecoartspace to finally make that a reality. We are raising a small amount of funds to cover the development, writing and publishing costs. We will then make the guide available as a free download for anyone who wants to use it for teaching.
In Lower Manhattan there exists a unique intersection of urban infrastructure and paths of desire. Much of our existing infrastructure was determined by paths of desire or by the geography of the island before development.-Broadway was originally a major native American trail which connected settlements with the water,-Maiden Lane a water inlet where the "maidens" washed the laundry-marshes and ponds dotted the lower Manhattan topography, and-West Street follows the original shoreline.Now we find that our paths through the city are strictly dictated by the urban infrastructure and impediments and we are constrained in creating new paths of desire. How does the historical knowledge and modern infrastructure affect our contemporary yearning to create new paths of desire?This project, called Paths of Desire, seeks to reconnect participants to the history and geography of the island, inspire wandering and visibly track our paths as they criss-cross Lower Manhattan. The paths we walk are like tracings of our lives: some paths are etched over and over - the commute, a walk to the store. Occasionally though, we trace a new route, allowing time or space to wander and explore, compelled by something new - a search for a destination, a moment of curiosity. Along any of these paths we have the potential to intersect with others, criss-crossing on street corners, doorways, common spaces. Sometimes these paths converge to follow a common desire. By actually marking the trail of the paths of one group of people on one particular day, we find these crossings, convergence and even lonely wanderings traced and recorded for a moment in time for all to discover and explore.Another goal of the project is to re-connect contemporary New Yorkers with their relationship to the water around the island of Manhattan. Historically New York City developed and grew precisely because of its location - surrounded by water - and its proximity to the water. Participants are asked to come to the water's edge, take and use some of the water on their explorations. They will be following the historic waterways that etched the island, and trails that were undoubtedly used to carry water to settlements farther inland.Paths of Desire, a project for The Big Draw, is an interactive public experience in which participants will be provided with the tools to trace their movements as they explore Lower Manhattan and the past and present geography of the island as it has been shaped by the influence of water. Participants will pick up their materials at a location near any of the water bodies (East or Hudson River, the Bay); they will be given a recycled small water bottle which contains blue pigment. They will be assisted in filling their pigment bottle with river/bay water and will be instructed in how to start the flow of pigment.They will also be provided with a map of historic Lower Manhattan so that they may discover the no longer extant geographic or cultural markers. As the participants go through their day, their pigment bottles will allow a flow of pigment to drop to the ground tracing their path.Presented by The Drawing Center & River to River Festival
This project was a temporary installation which traced the path of the Croton Aqueduct. The introduction of the seminal waterworks changed the future of New York City and allowed its growth and expansion. Providing clean water to a city plagued with disease and dirty water proved a daunting task which took many years and many millions of dollars to complete. 2008 marked the 160th anniversary of the Highbridge, the aqueduct bridge which crossed from the Bronx into Manhattan. As part of this celebration I created a path marker of monofilament and mirror fragments (broken mirrors I found on the street and removed from the waste stream) to trace the aqueduct path. The piece represented our interconnectedness with water. There were also educational components on the reduction of water usage in the city.This project was created in partnership with Friends of Fort Tryon Park and was generously funded by New York City Parks & Recreation Department and City Parks Foundation.The mirrors for the I See You in Me/The Path of Water in NYC project. The are from broken mirrors I found on the street. I then glued them together with a piece of monofilament between them. Then they were dipped in gel gloss medium and hung in my studio to dry.