I won’t write about the Whitney, I won’t write about the Whitney…
That’s what I keep saying in my head, over and over again, and yet I am bombarded by comments on the biennial (Thinking About Art, From the Floor, New York Magazine, The Village Voice, NY Times, Bloomberg, Blake Gopnik)–
aw, hell…
Of course I have thoughts on it, and I keep thinking about what is good and bad about the ‘curatorial thesis’ prior to even seeing the show! So here’s what I am going to do, I am going to write a serial response to all the Whitney Biennial input that is so pervasive in NYC. (Its funny that it passed virtually un-noticed in SF except the year that celebrated the -ugh – Mission School).
So, here are some initial thoughts on the curatorial thesis (given that my responses are based MERELY on the media saturation, and not on having actually read the catalog or thesis – yet).
Internationalism - I support this viewpoint, I think it made sense in the early years for the Biennial (and at times Annual) to focus on American artists, but with globalism as a reality of our time, it would be shortsighted and contrived to only have ‘American’ artists in the show. And what does it mean to be an American artists anyway?
This years Whitney takes the leap and explores what the ‘American Experience’ is – whether that is by an American living abroad, or a foreign born artist living in America. I think it is an important issue to review, and applaud the curators for taking it on (successfully or not).
Yeah, I got an alter ego….two of ‘em!
They made me sneak my KATEMOSS work into the biennial!
http://www.gawker.com/news/art/the-magic-of-caligula-157700.php
The curators dig:
http://www.toniburlap.com/2006/03/not-guilty.html#links
Thoughts?
Oh hell yeh! Like you said, celebrity, drugs, religion, alter ego. Its all there. Its an interesting commentary on the cult of curator and cult of celebrity which invades so much of the ‘popular’ art these days. I was hopeful that Banksy would pay a visit and bestow upon the Biennial one of his incisive artistic critiques, in his absence, this’ll do nicely. Did they leave it installed? I couldn’t tell. And alter egos are great for political and cultural commentary since it removes the ego of the artist from the commentary.
Your thoughts about political art are spot on. The Biennial left me with an accurate picture of the mess we are in. But what was at the WB that isn’t already in the Times? I am left cold, wondering how we are going to imagine an alternative, a way out of this mess.
I think the From The Floor observations about the Wrong Gallery installation actually miss the point, for exactly the reasons above. Artists are becoming curators, not the other way around. The Wrong installation had its finger on the pulse of what artists on the other floors are doing: cleaving to reality and artifact. If artists are satisfied with arranging and situating what already exists, then why shouldn’t curators be called artists?
(not that I don’t find the wrong gallery ‘action’ problematic…)
thanks for the thoughts fisher6000. here’s my take:
if we accept the premise of the artistic value of merely restating newsworthy events, then well, yes I think the Wrong Gallery is perhaps valid (based on your acute statements).
but, if as we are arguing, this regurgitated art lacks in real artistic merit or value *because* it offers no insight, then the curators do not get to be artists.
i am working on some curatorial projects myself, and would certainly no consider those of the same level (for a variety of reasons) as my purely creative endeavours. the curating is taking works and defining the threads between them, or coming up with an idea and finding works that fit that idea. art making to me is about expressing an idea through a physical (and as a sculptor, very physical) creation. it takes time, refinement, effort, etc. hmm, the more i talk about it the harder it is to explain in words. curating seems to be less original maybe?
btw, your write up on the wb is one of the more insightful reviews that i have seen, http://greenpointsculpture.blogspot.com/, in particular the idea that the work is merely the culture of “my”.
um, so yeh, i do need to go see it. (or i could wait until the hullabaloo calms down and go see the show ‘fresh’ in like may or something)
Yeah, I told myself the same thing — I won’t write about the Whitney. What is it about that place that just makes you have to hit the keyboard?